Abstract
This study investigates the synergy between cultural heritage and fashion, highlighting how these two dimensions can collaborate to generate new forms of territorial, artistic, and social valorisation. The analysis of three exemplary cases – Dior Cruise collections, Chanel’s Métiers d’Art, and Dolce & Gabbana Grand Tour – highlights how major fashion houses have intertwined their sartorial aesthetics with the genius loci of sites selected for their cultural and artistic value. These projects take the form of narrative platforms of global relevance, going beyond the celebration of fashion’s creativity. They activate profound dialogues with cultural contexts, reinterpret local traditions, and bestow a dynamic and contemporary dimension upon heritage. The interdisciplinary approach illustrates how fashion can contribute to both the preservation and innovation of cultural heritage through collaborations with artisans, artists, and local institutions. Elements rooted in the culture and traditions of specific places are translated into aesthetic languages that merge the brand’s style with local cultures. This demonstrates how heritage – both tangible and intangible – can be fertile ground for creative innovation. Through the analysis of specific case studies, the research also highlights the transformative role of temporary installations, which not only enhance the visibility of the sites chosen for the collections’ presentations but often improve their accessibility and interpretation. These interventions, whether ephemeral or lasting, underscore the potential of fashion as a creative medium able to integrate past and present, to promote intercultural dialogue, and to support the social and economic revitalisation of the territories involved. The paper thus offers a reflection on the new possibilities arising from the synergy between the fashion event system, its communicative immediacy, and cultural heritage. It outlines an original model of valorisation that projects heritage towards a broader and more inclusive perspective.
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Ghirardini, S., & Diatta, A.L. (2025). Fashion Shows as Vectors of Cultural Promotion and Heritage Enhancement. In Architectural Experiences, 1, (pp. 104-109). Editura Universitară Ion Mincu
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