Abstract
What is the meaning of “tradition” and what role might it serve in contemporary practice? Trying to answer these questions, the text explores the interplay between tradition and innovation in the context of architectural regeneration. The discussion focuses on the Sant’Agostino Complex in Comacchio, Italy, a competition project aiming to redefine the relationship between historical preservation and contemporary intervention. The design integrates the site’s historical elements with new, context-sensitive architecture, creating a multifunctional space that bridges urban, cultural, and social needs.
The competition highlights the duality of architectural contests in Italy: their potential for interdisciplinary creativity versus systemic inefficiencies. Despite these challenges, the project leverages the competition as a critical tool to propose alternative visions for urban regeneration. It emphasizes the role of architecture as a medium for cultural dialogue, sustainability, and innovation.
The design strategy incorporates historical and morphological analysis of Comacchio, respecting its canal-based urban fabric and monumental heritage. The program features a theater, cultural spaces, a hostel, and artisanal workshops, linked by a cohesive architectural language and sustainable materials. Phased construction ensures feasibility while addressing environmental and social needs.
By critically reinterpreting the competition framework, the project trans-forms constraints into opportunities for experimentation. It underscores architecture’s role as a transformative force, offering a sustainable, tradition-conscious model for urban and cultural renewal.
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Cite this article
Gandolfi, C., & Valvason, A. (2025). Liminal Spaces of the Ancient City. Redevelopement Project for the Sant’agostino Complex in Comacchio. In Architectural Experiences, 1, (pp. 266-269). Editura Universitară Ion Mincu
References
- T. S. Eliot, Tradition and the Individual Talent, in Id., The Sacred Wood (Methuen & Co. Ltd., London, 1920), pp. 43-44.
- The project was developed by Bunker Arc studio in Milan in 2017. Architectural design: Carlo Gandolfi, Roberto Molteni, Matteo Donghi with Andrea Valvason. Acoustic design: Dario Paini. Landscape design: Atelier de Molfetta Strode. Model photos: © Marco Menghi.
- G. Grassi, Un progetto per Marburg, invitation-only competition (1986), with M. Dörrie e N. Dego, 1st prize. From the project report cited in G. Crespi and S. Pierini (edited by), Giorgio Grassi, I progetti, le opere e gli scritti (Electa, Milano, 1996) p. 204, also in G. Crespi e N. Dego (edited by), Giorgio Grassi, Opere e progetti (Electa, Milano, 2004) p. 208.
- See, in this regard, Paolo Marconi, Il recupero della bellezza (Skira, Milano, 2005) pp. 37 et seq.
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